Joe Satriani is known for many things: his inimitable legato technique, formidable guitar tutelage legacy, uncompromising approach to composition, those shades. But at the same time, a large part of my playing is Tony Iommi and Billy Gibbons. And I wanted to make an album that was about that. This ability to recall is testament to a true labour of love, particularly with regard to gear.
Long before he secured his JS signature models with Ibanez, Satriani armed himself with whatever guitars he could afford — even if that meant sacrificing tuning stability for the sake of functionality.
But I picked it up anyway and eventually I realised that the thing was really great if you wanted to play out of tune all the time. And by then I had purchased a second version of that Pacer that had just three single-coil pickups; it was even worse than the two-humbucker version that I had. It was a Boogie Body Strat body made out of hard-rock maple. So I was ordering parts and screwing them together and contacting local luthiers to finish and do frets and things, and I had put together two guitars, a red one and a black one.
The red one I eventually sold, but the black one is the guitar that I wound up using a lot. I still have that guitar today. Obviously, me and the guys, John Cuniberti, and the musicians, Jeff Campitelli and Bongo Bob Smith, making the record, but also Stuart Hamm and Jonathan Mover that came on after the record was done, became new friends and comrades, and actually championed the record in a totally different style on tour.
And that became a song called Music Without Words. The original power trio were famed for their energy and ferocity, which paired virtuosity with showmanship to unpredictable and virtuosic effect.
But as Joe points out, their origins were anything but orthodox. I might go to the NAMM show. We pulled off the gig.
Those unable to make it out to the Asilomar Center will be keen to know whether Joe intends to take the band out on tour, but his plans for are still very much TBC. Of course, it was Surfing that introduced Satriani to the world and allows the guitarist to entertain such ideas today, but it was its strong sense of composition and melody that ensured it stood the test of time and influenced generations of guitar players to come.
You must be logged in to post a comment. Still riding the wave Joe Satriani is known for many things: his inimitable legato technique, formidable guitar tutelage legacy, uncompromising approach to composition, those shades. Kramer vs Kramer This ability to recall is testament to a true labour of love, particularly with regard to gear. Leave a comment.
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Cancel reply You must be logged in to post a comment. Search Search for:.Enter Registration. Login: Password Forgot? Tracklisting: Surfing with the Alien  Ice 9  Crushing Day  Always with Me, Always with You  Satch Boogie  Hill of the Skull  Circles  Lords of Karma  Midnight  Echo  Duration: Ice 9 Stripped - The Backing Track  Circles Stripped - The Backing Track  Midnight Stripped - The Backing Track  Slow speed?
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Some items on our website aren't able to be shipped outside the U. Foreign orders for those items will be refunded. DISC: 1. Surfing With The Alien. Ice 9. Crushing Day. Satch Boogie. Hill Of The Skull. Lords Of Karma. Ice 9 Stripped - The Backing Track. Circles Stripped - The Backing Track. Midnight Stripped - The Backing Track.
Echo Stripped - The Backing Track. We reserve the right to limit quantities on special items.The album reached No. Billboard and remained on that chart for seven weeks, as well as reaching the top in four other countries. A guitar virtuoso and genius of instrumental composition, Joe Satriani explores deeper waters with a haunting yet richly entailed work of stripped-down blues-rock and improvisational jazz.
This record, self-titled as Joe Satriani, puts the guitar wizard into a streaming new light of musical impression, as his efforts point toward a sincere evolutionary progression in composition and arrangement.
Joe Satriani ‘Forced’ to Change ‘Surfing With the Alien’ Cover
With a collective of the most witty, crafty, and enticing musicians in jazz and blues, Satriani blends soaring, scintillating scale passages with pulsating, engaging melodic lines. With the help of his main group during these sessions — Andy Fairweather Low on rhythm guitar, Nathan East on bass, and Manu Katche on drums — Satriani reaches further into his musical self to bring out soulful grooves and mesmerizing yet catchy riffs, creating a relaxed, yet gripping intensity to these jams.
Spontaneous in meter, rhythm, and melody, Satriani never fails to let the listener in on his enchanting and seemingly overabundant sense of creativity. Still, with all due respect, his plethora of extremely gifted backup musicians sincerely adds a diverse range of textures and colors, bringing out a much-needed live feel to an otherwise bland album of blues-oriented jazz-rock.
Because he is not afraid to seek the darker and once-unapproachable territories of guitar rock to find vibrant and refreshingly new sounds, Satriani puts forth once again a successful album, painting a mixture of blues and jazz in a variety of meters and keys.
Features a red variant of "Surfing With The Alien" and a yellow variant of "Surfing With The Alien Stripped "; a special edition mix of the album that features just the backing tracks of the music.
Limited to 3, presses.Joe Satriani Plays \
Includes digital download card. Includes printed inner sleeves containing photographs, credits, and liner notes describing the stripped version. You do not get the whole release. Variable bitrate from 32kb to kb, joint stereo. Pretty cheeseball. Reply Notify me 1 Helpful.
Nice punchy dynamics which are unfortunately marred by really noisy red and yellow coloured vinyl. Lots of distracting "groove roar" between tracks and in the quiet bits. Reply Notify me 2 Helpful. Have: Want: 81 Avg Rating: 4. Add to List. Contributors JigJinexitmusic. Surfing With The Alien. Ice 9. Crushing Day. Satch Boogie.
Hill Of The Skull. Lords Of Karma. Surfing With The Alien Stripped. Ice 9 Stripped. Crushing Day Stripped. Satch Boogie Stripped. Hill Of The Skull Stripped. Circles Stripped. Lords Of Karma Stripped. Midnight Stripped. Echo Stripped. Sell This Version.Altre immagini. Aggiungi recensione. We have detected English as your language preference. To change your preferred language, please choose a language using the dropdown.
Modifica edizione principale. Hard Rock. John Cuniberti Engineer, Percussion, Producer. David Bett Art Direction. Jim Kozlowski Cover.
Jeff Campitelli Drums, Percussion. Bernie Grundman Mastered By. Jeff Kreeger Technician. Rispondi Avvertimi Helpful. You do not get the whole release. Variable bitrate from 32kb to kb, joint stereo. Pretty cheeseball. Rispondi Avvertimi 1 Helpful. Really nice object, printed cover is high quality. Lots of distracting "groove roar" between tracks and in the quiet bits.
Rispondi Avvertimi 2 Helpful. You're much better off with the original. Tried to edit the "master release", but there was nothing to indicate, why it wasn't there Rispondi Avvertimi 4 Helpful.
Aggiungi tutto alla Wantlist Rimuovi tutto dalla Wantlist. Posseduto da: Desiderato da: Valutazione media: 4. Parody Tribute Imitation Inspiration da tusovski.
Joe Satriani Surfing With The Alien 2Lp Vinyl 2019 Rsd Black Friday
Exceptional Album Covers da 2tec. Same covers da TwinPowerForce. Censored artwork with alternative covers da TwinPowerForce. Mateusz Morawski Influences Timeline da mateuszmorawski.
Contribuisci Linee guida per la contribuzione Inserisci una pubblicazione Come creare una Lista Classifica mensile Aiuta a tradurre Discogs. Surfing With The Alien. Ice 9. Crushing Day. Satch Boogie. Hill Of The Skull.Surfing with the Alien belongs to its era like Are You Experienced? Certainly, Satriani was unique among his peers in that his playing was so fluid that his technical skills never seemed like showboating — something that was somewhat true of his debut, Not of This Earthbut on Surfing with the Alien he married this dexterity to a true sense of melodic songcraft, a gift that helped him be that rare thing: a guitar virtuoso who ordinary listeners enjoyed.
Nowhere is this more true than on "Always with Me, Always with You," a genuine ballad — not beefed up with muscular power chords but rather sighing gently with its melody — but this knack was also evident on the ZZ Top homage "Satch Boogie" and the title track itself, both of which turned into rock radio hits.
This melodic facility, plus his fondness for a good old-fashioned three-chord rock, separated Satriani from his shredding peers inmany of whom were quite literally his students.
But he was no throwback: he equaled his former students Steve Vai and Kirk Hammett in sweep picking and fretboard acrobatics and he had a sparkling, spacy quality to some of his songs — particularly the closing stretch of the Middle Eastern-flavored "Lords of Karma," the twinkling "Midnight," and "Echo" — that was thoroughly modern for The production of Surfing with the Alien is also thoroughly of its year — stiff drumbeats, sparkling productions — so much so that it can seem a bit like a relic from another era, but it's fine that it doesn't transcend its time: it captures the best of its era and is still impressive in that regard.
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